Good Head, Croydon

At the heart of Park Hill, Croydon, stands a water tower, built in 1867 above a pre-existing reservoir of 1851. The latter was constructed underground. Circular brick walls 30 feet high were capped with a domed roof. Of 75 feet diameter, the reservoir held a maximum of 950,000 gallons. Unfortunately, this facility proved incapable of serving the luxury properties built upon the higher ground on the then outskirts of Croydon, and the tower was constructed to provide suitable water pressure.

30 feet in diameter and 100 feet high to the top of the turret (excluding the 25 feet below ground), this was designed by Baldwin Latham, Borough Engineer, in a pseudo-Norman style. It incorporated a cylindrical wrought iron tank of 40,000 gallons capacity, borne on cast iron girders and intervening timber joists. Additional support of the tank came in the form of the central cast iron inlet, outlet and overflow pipes.

In the basement of the tower was an additional tank of 94,000 gallons capacity, on a level with and connected to the earlier reservoir. This lower tank had an internal diameter of 27 feet, with a brick and stone pier at its centre, supporting the pipes to the upper tank. The water stood 27 feet deep. The whole structure stands upon four feet of concrete, the walls 5 feet 5 inches thick at the bottom of the lower tank, of 3 feet 2 inches at ground level, and 14 inches thick at the tower's top.

In the late nineteenth century the tower could be climbed, by stairs, to access a viewing platform and, indeed, during WWI was used as a lookout for Zeppelins. Its water-providing abilities ultimately proved inadequate, and the site was abandoned in 1923 subsequent to construction of a new reservoir in the Addington Hills, although the old reservoir provided a source of water for fire-fighting during WWII. The tower was Grade II listed in 1970, but the tanks and internals are all gone, and the building remains abandoned, although thankfully secure.

Taywil Hero Mangle Press

Taywil Hero Machine mangle disassembled and all elements wire-wheeled. Cast iron frame drilled for bolting-in of print bed support, and painted with three coats of red and two coats of black metal paint. Components painted with two coats of black paint, bearings stripped and regreased, and springs replaced. Components test assembled.

































Wooden rollers treated for woodworm, and turned down on a lathe to a reduced diameter. Rollers sheathed with stainless steel tubes of ¼" wall thickness - the most expensive items of the project. Drive and transfer wheels re-fitted and painted as per frame and components, and handle coated with two applications of sealing woodstain.

Print bed support fabricated from 2" wide steel bar, drilled to enable bolting to frame and to take stretchers, and painted as per components. Stretchers made from M10 threaded rod, bolted through steel bar supports, and positioned such that rod tops are just below mid-line between rollers.

Rollers installed and transfer wheels cover fitted. Strips of wood fitted underneath original wooden top board, with a small gap between - to hold printing paper out of the way until nipped by rollers - and treated as per handle. Print bed can be sealed medium density fibreboard (MDF) or sheet steel. Mangle now a printing press, for linocuts, plate engravings and etchings, and woodblocks (up to tooth depth of transfer wheels), to a maximum of 20 inches wide.

Taywil was a brand of Taylor and Wilson, of Clayton, near Accrington, Lancashire. Founded in 1866, they made washing and mangling machines, and step-ladders. Later Taywil's trade listings included gas-heated boilers and garden seats. Their Royal Mill, in Atlas Street, closed in 1962/3, the front demolished to make way for the M65 motorway.

Philips Pancake Loudspeaker

Shaped by the industrial designer Louis Kalff, the Philips 'pancake' or 'shaving-plate' loudspeaker was available in three diameters. The Model 2003, of 16 inches, was introduced in 1927, price £6 10s 0d. The Model 2015, of 14 inches, price £5 5s 0d, was introduced in 1928, when the larger model became known as the Senior and the smaller as the Junior.

When Philips introduced, in 1929, the Model 2007, of 18 inches, price £7 10s 0d, it was unaccountably marketed as the Peter Pan. This largest model featured a three-position rotary switch in the connecting lead, allowing for alteration in impedance and, hence, tone. The horseshoe magnet, balanced armature and parchment cone of the loudspeaker sit behind the inner Bakelite dish, the outer parabolic bowl acting as a sound reflector.

Whilst the Model 2015 could be had only in maroon Bakelite (what Philips for trademark reasons called Philite) the two larger models could be had in brown, buff, maroon, and marbled colours. This Model 2003 has glorious gold patterning, resulting from the inclusion in the Bakelite mix of brass powder.

Although without a cabinet, the Model 2003 weighs a hefty seven pounds, partly due to the cast iron foot upon which it stands. The heaviest version though was Philips of Sydney's 1929 promotional Big Bill, a Ford Model A truck made to look like it carried a giant pancake, but actually packing a 500w public address system. Production of pancake loudspeakers continued at Eindhoven until 1930.

Edgbaston Bunker

Below the garden of what was originally an Edwardian family residence in sedate Meadow Road, Edgbaston, Birmingham, lies a Cold War bunker. Constructed in 1954 to be used by up to 80 civil defence bureaucrats in the event of nuclear war, the extensive facility is a single-storey structure in concrete, with steps down from one entrance (top) and up to two fire exits (below).

The bunker could produce its own power, using diesel engines and generating sets, and had its own store of water. Never used for its intended purpose, in 1956 the space provided temporary shelter to refugees who had fled the Hungarian Uprising.

The mansion and surrounding land, including the bunker, was sold by Sandwell Metropolitan Council, for the West Midlands Fire and Civil Defence Authority, in 1990. The council made it a rather insane condition of the sale that, if nuclear war had not broken out by 2003, the bunker was to be demolished. It's still there.

At points during the 1990s the bunker was reportedly used for raves. It was at some juncture converted by the owners into a social club, complete with bar (above), pool table, band practice room, and skittles alley, originally the main corridor (below).

The naivety of those 'preparing' for nuclear war is illustrated by the fact that the bunker lies downhill from a large reservoir, damage to which would have flooded the secure site. Ironically, it was fire, in the form of arson, that ultimately did for something that would supposedly survive a nuclear attack.

Bakelite Box - Ekco PB505

The alternating current PB505 was released by Ekco in 1939, and was available in both a wooden cabinet and this 'walnut' Bakelite one, the same chassis in each. There are nine push buttons for pre-set stations. The cabinet was shared with the AC-only PB507 and the AC/DC PBU505. A variant of the cabinet was used again, after WWII, for the more common A21, released in November 1945. The latter can be recognised by having five, instead of nine, push buttons.

April Fools' Car Show 2014

The third running of the April Fools' Car Show, held at Canal Central in Maesbury Marsh, Shropshire, featured everything from the agricultural to the seriously exotic. The above McCormick Farmall, a brand of America's International Harvester, is a row-cropper, built in France, and looked very fine in its new paint.

From Telford came a lovely Jensen FF. Built between 1966 and 1971, the Jensen Ferguson Formula was the first production car to feature four wheel drive - from Ferguson Research Ltd - and anti-lock brakes, the Dunlop Maxaret system, and is five inches longer than its sister Interceptor. Placed third in show.

Show winner was a stunning 1947 Jaguar Mark IV 3½ litre cabriolet. The 3½ litre was introduced in 1938. This example has a very unusual two-door body, all the panel and mechanical work undertaken by its owner. This year's steam came in the form of a 1924 Clayton and Shuttleworth road roller, Ironside.

Bishkek - Brutal & Beautiful

The capital of the Kyrgyz Republic, Bishkek, is a city of concrete on an Altaic plain - altitude 2,600 feet - just north of the Ala-Too portion of the Tian Shah mountain range, which boasts peaks over 15,900 feet. A dramatic setting for a time capsule of concrete Soviet Brutalist architecture.

The Kyrgyz Republic gained its political independence from the USSR in 1991. The White House, of seven storeys and faced with marble, was built just six years previously. Originally the headquarters of the Communist Party's Central Committee for the sometime Kirghiz 'Republic', it is now the presidential offices.



On Ala-Too (once Lenin) Square is the Historical (once Lenin) Museum, of 1984. The square is enormous, designed to both impress and intimidate, but the surface is subject to subsidence due to poor substrate. Out the back of the museum is the giant statue of Lenin that previously stood out front, but now points into history.

































Appended to the headquarters of Kyrgyz Telecom, also the post office, is a tower that houses a clock presented by Armenia in 1984. This broke down in 2000 and was silent until 2013. It sounds exactly like the Great Clock of the Palace of Westminster.

On Togolok Moldo Street is the National Centre of Cardiology and Internal Medicine, the centrepiece of the republic's efforts to rebuild its healthcare system, which has suffered due to sharp cuts in expenditure since 1991. The UK's hospitals often look brutal unintentionally. This is the real deal.

Hand-in-hand with health often goes sport. The nearby Sports Palace (above) was built in 1974 as part of the modernisation of the city, and is Bishkek's largest indoor venue, with seating for 2,500. The statue is of Kojomkol, born 1889, seven feet five inches tall, and famous for his feats of strength.

Bishkek is a bustling place, without being manic, and there are plenty of signs of a café life for the well-heeled. Yet the residential areas are largely of Soviet bloc blocks, architecturally interesting, even beautiful, but not necessarily much fun in which to live. The Ala-Too Cinema, likely of the late 1960s, adds some colour.

Istanbul - Blue Mosque

The Sultan Ahmed Mosque, popularly known as the Blue Mosque because of the dominant colour of the interior decoration, must be one of the most visited buildings on the planet, but no pre-reading prepares for its calm, stunning beauty.

The mosque was built in just seven years, starting 1609, on the orders of Ahmed I, upon the site of the palace of Byzantium's emperors. The architect, Sedefkar Mehmed Agha, designed an extraordinarily grand space composed of a main dome surrounded by eight smaller domes. The mosque boasts six minarets, instead of the normal maximum of four, the first to do so.

The interior is simply gorgeous, over 20,000 handmade ceramic tiles from Iznik (Nicaea) at the lower levels and upon the massive piers, the decorative scheme at higher levels executed in paint. There are over 200 subtle stained glass windows. Humankind be praised.

Istanbul - Balat

Balat, traditionally a Jewish quarter, is a part of the Fatih district of Istanbul. It is located on the western side of the Golden Horn, and forms part of the old city of the peninsular, the erstwhile Byzantium and Constantinople.

The Jews began to leave Balat after the major earthquake of 1894, and the quarter is an intriguing mix of grandeur and neglect, some buildings holding up others. Few tourists make it from the grand bazaar to this quarter, but more should. Ruin porn at its best.

Anderton Boat Lift, Northwich

The Weaver Navigation was completed in 1734, allowing swift transportation from the Cheshire 'salt towns' to the River Mersey. In 1777 opened the Trent and Mersey Canal, at Anderton close to, but fifty feet above, the navigation, and providing a connection to Stoke-on-Trent. In 1793 a basin was excavated on the north side of the navigation, enabling goods to be trans-shipped by crane and inclined plane. To address significant traffic growth, the engineer Edward Leader Williams designed a lift of two counterbalancing water-filled caissons, supported by interconnected hydraulic rams: additional water need only be added to one caisson for this to descend and its twin to rise, with fine adjustments requiring just a 10hp steam engine.

The hydraulic engineer Edwin Clark undertook the detailed design. The caissons, each 75 feet long, 15.5 feet wide, 9.5 feet deep, and weighing 252 tons when filled, were supported by hydraulic rams - hollow cast iron pistons, 50 feet long and three feet in diameter, inside buried cast iron chambers of the same length but of 5.5 feet diameter. The original superstructure consisted of just seven hollow cast iron columns, to guide the caissons, connecting at the top to a 165 feet long wrought iron aqueduct, gated at each end. The ride took three minutes, although were a caisson raised or lowered independently, using only the power of the steam engine, this extended to 30 minutes. Construction commenced in 1872, and the lift opened in 1875.

Unfortunately, canal water was used as the hydraulic fluid, and the rams corroded badly. The engineer Colonel Saner designed a replacement system of electric motors, wires, counterweights and pulleys to allow each caisson to move independently. The superstructure was strengthened by the addition of steel A-frame buttresses, and 36 cast iron counterweights, of 14 tons each, were installed. The pulleys were driven by a 30hp motor. The conversion work was undertaken between 1906 and 1908.

The lift closed in 1983 due to the discovery of extensive corrosion in the superstructure, but was fully restored between 2000 and 2002. Although the headgear and buttresses of 1906-8 remain in place - the weights form a children's maze nearby - the lift once again operates hydraulically, using oil-filled rams to drive each of the caissons separately. The Anderton and the Falkirk Wheel are the only operational boat lifts in the UK.

Wallerscote Island, Northwich

Between the River Weaver (bottom of above picture) and the Weaver Navigation stands, on Wallerscote Island, the last remaining part of the giant soda ash works that once dominated Northwich. Brunner Mond was founded in 1873, built its chemical works in Winnington, by the navigation, and produced its first soda ash - sodium carbonate, used in glass making, dyeing, detergents and cooking - in 1874.

BM became a limited company in 1881 and grew like Topsy, was one of the five largest soda ash producers in the world. In 1926 it joined with the British Dyestuffs Corporation, Nobel's Explosives Ltd, the United Alkali Company, and many smaller enterprises, to form Imperial Chemical Industries - the once mighty ICI.

The Brunner Mond name reappeared in 1991, when ICI divested itself of its UK and Kenya soda ash businesses. The new BM grew once more, and in 2010 acquired British Salt, a provider of one of the key ingredients of soda ash. BM was itself acquired by Tata Chemicals in 2005, and rebranded as Tata Chemicals Europe.

The main chemical plant was the other side of the Weaver, and from this led conveyor belts, running in a huge gantry over the river, to the storage, packing and loading facility on Wallerscote Island. The main plant closed in the 1980s, and has already been bulldozed - the two last photographs are taken from where it once stood. Tata closed its Northwich operation in 2013, blaming the price of gas, and the Wallerscote Island facility is being run down before demolition.

Nottingham's Rive Gauche

The Wilford Suspension Bridge crosses the River Trent to link West Bridgford and the Meadows area of Nottingham. Although the bridge can be used by pedestrians, this is at the discretion of its private owners, Severn Trent Water. It was built by the Nottingham Corporation Water Department, to a design by architect Arthur Brown, principally to carry a water main to the nearby Wilford Hill reservoir, and opened in 1906.

Adjoining the 1¼ mile long Victoria Embankment, constructed between 1898 and 1901, stands Nottingham's principal war memorial. This, and the associated memorial gardens, was laid out on land donated in 1920 by Nottingham's most famous son, Sir Jesse Boot, he of Boots the Chemist.

Work on the gardens and memorial commenced in 1923. Both opened on 11 November 1927, nine years after Armistice Day. The memorial, designed by the City Engineer of the day, T Wallis Gordon, is truly monumental, a trio of archways flanked by colonnades, all in Portland stone, with a terrace behind that overlooks the gardens.

The Orthodox cross-like ornamental pond has recently been renovated at the expense of a private benefactor. Unfortunately, the statue of Queen Empress Victoria, relocated from the bottom of the city centre's Market Street, is surrounded by an ugly anti-vandal fence.

Nearby stands a beautiful little Moderne bandstand of 1937, which was threatened with demolition by the City Council as part of its flood defence scheme, but is now protected by a Grade II listing.

Karan Anne Porter

Thursday 4 March 1965 to Wednesday 4 February 2009.
Photograph: University of Lancaster, 1988.

First Chermayeff Ekco

The architect Serge Chermayeff designed four of Ekco's Bakelite cabinets - the AC86 of 1935, the AC77 of 1936, and the AC64 and this, the AC74, both of 1933. The set was available in alternating current, direct current (DC74) and battery (B74) versions, and two colours - the pictured 'walnut' and black and chromium. It features a light beam and shadow tuning indicator. The station indicator strips, of engraved celluloid, are affixed by pairs of metal studs over the permanent wavelength scales beneath, and could be changed as new radio stations appeared. A wooden stand was available for the 'walnut' version of the set, and a chromed tubular steel stand for the black and chrome version.

The Folly of Hope

Alan Terrill runs the website of the Folly Fellowship. He and his wife Claire live in the Hope Valley, near to Minsterley, Shropshire, where their garden is itself home to a couple of follies, plus various welded metal animals. One of the follies is a shed in the guise of a tin tabernacle, its front influenced by the spa building in Tenbury Wells.

The tortoise tunnel was built, in rendered blockwork, into the side of the steep garden. At one end is a round room, about six feet across, the roof of which was formed using the top of an old circular gazebo. The sides of this were used as a former for the tunnel roof, a painted Gothic arch about six feet above ground level.

The façade of the tunnel was built up with sandbags, over which is mortared stone from the nearby stream. Sedum matting was pinned over the top. The tunnel has a solid floor, that part in the round room sporting a mosaic in the pattern of a tortoise shell. The exterior of the room's roof is a three-dimensional mosaic in the shape of a tortoise, the head and legs of which were fabricated from wood covered with lead sheet.

Alan plans to build, in wood, a tower at the currently open end of the tunnel, likely about twenty feet tall, and in the shape of the grain elevators of Saskatchewan. This will look great against the background of the wood-clad house, almost Alpine in its lime green woodstain.