Wavox - Milk Monitor

Manufactured by Truvox, of Wembley, London, the Wavox is an Art Deco-esque extension speaker of the 1950s. Truvox manufactured public address systems, cinema speaker systems, industrial cleaning machines, and heaters. In 1949 it acquired Rola Celestion, but disappeared in 1969 through a reverse take-over. Celestion Industries Plc now uses Truvox as a brand name for loudspeakers.

Housing a Merco speaker, the case is made of a casein-based polymer. Casein is a phosphoprotein present in milk, more commonly used in making cheese. Casein polymer is these days used in any volume only for making buttons. Wavox extension speakers were available in a small range of rather unpleasant colour-ways, including blue/pink. This example is a much more sedate combination of gloss black and matte off-white.

Ekco Radio Stands

Ekco is known to have produced stands for eight of its iconic Bakelite radios of the 1930s and 1940s. There is direct contemporary evidence, from an Ekco leaflet of 1935 (above), for stands for two of the company's five round radios - the AC/AD76 and the AD36, both inspired by Wells Coates' 1932 styling for the AD65 - and for the AC/AD86 'Dougal', styled by Serge Chermayeff. All three of these radios were released in 1935.

     

There's also photographic evidence of contemporary Ekco stands for the AC/AD85 of 1934, inspired by Wells Coates' design work (image not available for copyright reasons but available online); and for the AC/DC74 of 1933, styled by Chermayeff. Two stands were available for this last. One, in chromed tubular steel, price £1.15s.0d, for the black and chrome version of the set (above left, copyright Robert Chesters). Another, in wood, half the cost at £0.17s.6d, for the 'walnut' version (above centre).

A choice of wooden and chromed tubular steel stands, similar to those for the AC/DC74, were available for the AC/DC64, also styled by Chermayeff. A wooden stand could be had for the AD65 (above right). And, finally, an Ekco publication of 1936 for dealers lists a wooden stand for the AD37, although no image is known. No stands were available for the round A22 or AD75 radios. A complete collection of original Ekco stands would hold ten examples, excluding the wooden colour variants.

The wooden stands were of beech, and sported design cues that reflected those of the radio for which they provided support. They were available in both brown and black, likely coloured toner subsequently sealed with cellulose lacquer, to match the principal colours in which the radios were made. Stands without curves to the supporting platform are modern incarnations, not Ekco originals.

However, the oak stand featured in the remaining photographs in this post has accompanied the AC85 which sits upon it since their joint purchase, in the Spalding area of Lincolnshire, in about 1934. It is unlikely to have been made by Ekco itself, but instead by a local joiner, to display the radio to best effect in a shop. An EKCO RADIO transfer runs along the top stretcher, and the fretwork to the cupboard door bears upon it EKCO, 'printed' by means of masked staining of the wood.

In about 1987 the radio and stand, still paired, passed locally to Graham Richardson, only the second owner. Now in the hands of its third owner, the radio (still entirely functional, without any restoration work having ever been done) and stand remain together. The stand is undoubtedly contemporary with the radio, and unique.

(My thanks to Robert Chesters for some of the information in this post.)